
By | May 30, 2011 2:03 AM EDT
Every year, Hollywood celebrities head to Broadway where they get plenty of attention for their headlining efforts.
The Tony Awards, being presented on June 12, are the ultimate judge of the skills of any stage actor, famous or not, and many lesser-known performers worry that the value of the award diminishes as film stars continue to take them home.
Last year's star-studded broadcast disheartened many New York actors, including Hunter Foster, who started the Facebook group Give the Tonys Back to Broadway!! in an effort to combat the Tinseltown effect. With the now almost 9,000-member group, Foster hopes to restore the ceremony as a beacon of hope for the next generation of stage performers.
Whether stage actors like his sister, Sutton Foster -- nominated this year for her performance in "Anything Goes" -- will disappear from Broadway's future if the Tonys continue to focus on Hollywood stars is debatable. Many actors appearing on Broadway -- including Al Pacino, a nominee this year for "The Merchant of Venice" -- began their careers on stage, but their mass appeal comes from their films.
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"I have worked my ass off to get to where I am, so I understand that struggle," Scarlett Johansson -- who was one of four Hollywood actors to win a Tony in 2010 -- told BroadwayWorld.com last year. "If somebody is cast because they are a name but they're not right for the job, well, it's very frustrating."
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Experts and actors agree, however, that celebrities are necessary for some producers to bankroll productions, and a famous headliner brings more stable jobs for New York actors.
This year's list of nominees lacks many of the Broadway season's big names -- including Chris Rock, Robin Williams, Ben Stiller, and Daniel Radcliffe. David Sheward, executive editor of Back Stage and a Tony voter, blogged about how the dearth of well-known nominees could be a response by the nominating committee to last year's backlash.
However, Charlotte St. Martin, executive director of the Broadway League, which presents the awards with the American Theater Wing, said there is no correlation between last year's response and this year's nominees.
"If you look at the shows, most of the people who got good reviews are nominated," said St. Martin, who is also on the awards' administration committee, which oversees the nominating process. "People whose reviews were not as good, either for the show or the individual, perhaps are not."
A star can be an economic necessity for a Broadway show, and Michael Riedel, New York Post theater columnist and host of PBS's "Theater Talk," does not think Hollywood stars take jobs away from New York actors. "If you didn't have these celebrities, a lot of these shows wouldn't be produced," he said. "All of these shows have people in them who are not movie stars and they're all working."
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A Tony represents the Holy Grail for a stage actor and can significantly boost a performer's career, whereas film and television actors are already honored with awards like Oscars and Emmys. Having widely recognized actors swoop in and secure a Tony nomination can be upsetting to some, said Garrett Eisler of the blog The Playgoer, as there are limited spots.
According to Eisler, stars have driven Broadway ticket sales throughout history, but "what changed is the definition of who is a star." In the 1950s and '60s, the box office names were Robert Preston, Rex Harrison, and Zero Mostel, who had some fame from film but whose main medium was the stage. "A Broadway star could really be a star," Eisler said, recognizing that Patti LuPone is one of the few who fits this bill today. "Now you can't be a star unless you're a Hollywood star."
The Internet democratizes entertainment, and a stage performer will never receive the same size audience for a Broadway show that another actor will receive for a film or a television series.
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